Tributes are pouring in across the UK after the passing of Barry Fantoni, the multi-talented writer, cartoonist, broadcaster, and musician, who died at his home in Turin, Italy, on May 20, aged 85, following a heart attack.
Fantoni rose to prominence in the 1960s as a voice of a changing Britain. He became known for his satirical brilliance and sharp wit, shaping a generation through his work on the groundbreaking BBC shows That Was The Week That Was and A Whole Scene Going. He was also a fixture at Private Eye magazine, where he contributed for nearly five decades and gave life to iconic characters like spoof poet E.J. Thribb.
In a statement, Private Eye editor Ian Hislop paid tribute:
“Barry was a brilliant multi-talented writer, artist and musician… He created formats, jokes, and voices that defined British satire — and many of them are still running today. So farewell then, Barry.”
Barry’s artistic path began early, earning a Wedgwood scholarship to Camberwell School of Arts and Crafts at just 14. By the 1960s, he had become a central figure in London’s pop art and satirical scene, helping define the rebellious cultural energy of post-war Britain.
He also hosted A Whole Scene Going, a music and fashion programme for the BBC, where he introduced emerging artists like The Spencer Davis Group and Pete Townshend to a national audience. The show became a symbol of youth culture and earned him national recognition.
Beyond television, Fantoni’s legacy was deeply tied to his satirical artistry. His caricatures — known for capturing the spirit and flaws of British celebrities — graced Private Eye, Radio Times, and The Times. Over the years, he sketched unforgettable renditions of legends like Sir Bruce Forsyth, Tony Blackburn, and Ken Dodd.
Though he retired from Private Eye in 2010, Fantoni left behind a cultural footprint that few in British media could rival. Reflecting on his departure, he once said:
“It was just time to leave. I’d done it. The establishment isn’t even worth puncturing anymore.”
Barry Fantoni was more than a commentator — he was a creator of voices, visions, and biting humour that challenged, entertained, and inspired generations.
